Virginia Zeani’s Dramatic Lucia I Mad Scene 1 London 1957

Virginia Zeani stunned London’s opera goers when she triumphed as Lucia in 1957. The opera had not been heard in England since 1925 and was considered nothing more than a frivolous, out of date curiosity. Toti dal Monte had been the last to sing the role in which she reputedly “fluttered a fan“. In 1957 the opera was presented in Oscar Hammersteins’s vast Stoll Theatre by an ad hoc Italian Touring company. with rudimentary staging and simple, painted scenery. Yet, despite the lack of a sophisticated production, Virginia Zeani’s brilliantly sung, dramatic Lucia captivated the audiences and changed people’s attitudes to the opera. It even convinced a sceptical Covent Garden management to go ahead with their own elaborate production two years later. Virginia Zeani’s Lucia is a real flesh and blood character. Singing with vibrant tone, she uses the music to convey the emotions of the deeply disturbed heroine and employs ornamentation for dramatic effect and never merely as empty display. Zeani studied the role with the coloratura soprano Lydia Lipkowska, who taught her the traditional embellishments, handed down from Donizetti’s early interpreters. The orchestra is the Royal Philharmonic conducted by Vincenzo Bellezzza Disclaimer- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use“ for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. If for any reason, you deem that a video appearing in this channel violates copyright, please inform us immediately before you submit a claim to YouTube and we will take care to remove it NB The recordings of Mme Virginia Zeani are mostly from radio broadcasts or private or in-house tapes. They were saved by her fans and later, without her permission, sometimes transferred to CDs by companies who pay her no royalties. They are now posted on YouTube so that new opera lovers can freely experience and enjoy her remarkable performances.