OPERATIC ONIRICON - Teatr Wielki

Director - Kamila Straszyńska In the company of the emerging artist from Warsaw’s Opera Academy, Operatic Oniricon is a presentation of Italian arias and ensembles in the form of a journey into the subconscious. As a tribute to the realm of dreams and unconscious desires of Federico Fellini, Operatic Oniricon takes its name from a newspaper column in which the brilliant director interpreted his readers’ dreams. Drawing inspiration from Fellini’s aesthetics, Polish National Opera has entrusted to director Kamila Straszyńska with the challenge to shine a new light on extracts of operas by Rossini, Donizetti and Bellini which are performed by the members of the Opera Academy. ‘Tran, tran, tran, tran - In guerra ed in amor’ from L’elisir d’amore by Gaetano Donizetti. ‘Come Paride vezzoso’ from L’elisir d’amore by Gaetano Donizetti. ‘Sventurata mi credea’ from La Cenerentola by Gioacchino Rossini. ‘Deh, tu m’assisti amore’ from Il Signor Bruschino by Gioacchino Rossini. ‘All idea di quel metallo portentoso’ from Il barbiere di Siviglia by Gioacchino Rossini. ‘Nel fragor della festa... Alma soave e cara’ from Maria di Rohan by Gaetano Donizetti. ‘Non si dà follia maggiore’ from Il Turco In Italia by Gioacchino Rossini. ‘La Calunnia’ from Il barbiere di Siviglia by Gioacchino Rossini. ‘Com’è bello! Quale incanto’ from Lucrezia Borgia by Gaetano Donizetti. ‘Pel nostro amore non v’ha più speme’ from Guillaume Tell by Gioacchino Rossini. ‘Caro elisir! Sei mio!’ from L’elisir d’amore by Gaetano Donizetti. ‘Ah! rammenta, o bella Irene’ from Ricciardo e Zoraide by Gioacchino Rossini. ‘Fragolette fortunate’ from Adina ovvero Il califfo by Gioacchino Rossini. ‘Cheti, cheti, immantinente’ from Don Pasquale by Gaetano Donizetti. ‘Dopo l’oscuro nembo’ from Adelson e Salvini by Vincenzo Bellini. ‘O mio Fernando’ from La favorite by Gaetano Donizetti. Finale stretto ‘Viva il diletto’ from Il viaggio a Reims by Gioacchino Rossini.