Faye Dunaway Makeup Look: Movie - Bonnie and Clyde 1967
RetroFrog recreates Faye Dunaway’s iconic Bonnie Parker look from the 1967 movie Bonnie & Clyde. An easy makeup tutorial from foundation to lips and eyes. All you need is the beret.
0:18 Foundation. Apply a thick concealer to problem areas, then a light foundation to the entire face. Blend with a sponge.
0:52 Eyebrows. Use a brown pencil to create a natural eyebrow shape.
1:27 Eyes. Apply a dark brown pencil along the upper lash line and blend with a small brush. Apply dark brown eyeshadow over the blended line and onto the lower eyelid. Apply a grey-brown shade to the crease of the upper eyelid and to the lower eyelid. Use a small brush to apply dark brown eyeshadow to the crease of the eyelid to make the color deeper and blend well with a taupe shade. Apply ivory eyeshadow to the center of the upper eyelid, to the inner corner and under the eyebrow. Use a dark brown pencil to draw between the eyelashes. Apply black mascara to the upper and lower eyelashes. Use false eyelashes in the outer corners of your eyes.
4:38 Sculpturing. Apply a light concealer to the under-eye area and set it with white powder. Use a cream sculptor to correct the cheekbones and nose. Fix the nose correction with powder contouring. Apply bronzer to the cheekbones and forehead, creating the effect of sun-kissed skin.
5:39 Apply peach blush to your cheeks.
5:57 Apply light beige pencil to the lip contour and cover with natural-colored gloss.
The influence of Bonnie & Clyde on fashion
The costumes worn by Faye were designed by Theadora Van Runkle in her first costume design break. The most significant item was that black beret matched with midi length skirts and tailored jackets.
The clothes showcased Faye Dunaway’s slim figure and briefly made 1930s style popular. Life magazine proclaimed ‘Faye Dunaway… has already done for the beret what Bardot did for the bikini.’ Bonnie’s longer skirts effectively ushered in the Mini vs. Midi debate by the end of the 1960s.
Dunaway appreciated what the talented costume designer had done for her and subsequently Van Runkle designed Faye’s look for The Thomas Crown Affair (1968)
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I take early fragments of silent 16fps footage and restore them to life by a combination of manual frame by frame colorization as well as the use of deep exemplar-based video colorization techniques. The footage is upscaled and the frames interpolated to a higher frame rate ( in most cases 60 frames per second.) Finally I produce a soundtrack which helps build a new immersive experience for the viewer.
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