Carolyn Hester - I Want Jesus (1963)

Carolyn Hester - I Want Jesus (1963, album - This Life I’m Living) Carolyn Hester (born January 28, 1937 in Waco, Texas) is an American folk singer and songwriter. She was a figure in the early 1960s folk music revival. Carolyn Hester’s first album was produced by Norman Petty in 1957. In 1960, she made her second album for the Tradition Records label run by the Clancy Brothers. She became known for “The House of the Rising Sun“ and “She Moved Through the Fair“. Hester was one of many young Greenwich Village singers who rode the crest of the 1960s folk music wave. She appeared on the cover of the May 30, 1964 issue of the Saturday Evening Post. According to Don Heckman of the Los Angeles Times, Hester was “one of the originals—one of the small but determined gang of ragtag, early-’60s folk singers who cruised the coffee shops and campuses, from Harvard Yard to Bleecker Street, convinced that their music could help change the world.“ Hester was dubbed “The Texas Songbird,“ and was politically active, spearheading the controversial boycott of the television program, Hootenanny, when Pete Seeger was blacklisted from it. After failing to convince Joan Baez to sign with Columbia Records, John H. Hammond signed Hester in 1960. That same year Hester met Richard Fariña and they married eighteen days later. They separated after less than two years. In 1961, Hester met Bob Dylan and Hester invited him to play on her third album, her first on the Columbia label. Her producer, John H. Hammond, quickly signed Dylan to the label. Hester remained relatively obscure throughout the folk music revival. She turned down the opportunity to join a folk trio with Peter Yarrow and Paul Stookey. With Mary Travers the trio found stardom as, Peter, Paul, & Mary. Although Hester collaborated with Bill Lee and Bruce Langhorne, she concentrated exclusively on traditional material. In the late 1960s, unable to succeed as a folk-rock artist, she explored psychedelic music as part of the “Carolyn Hester Coalition“ before drifting out of the music industry of the period. Hester has disputed David Hajdu’s depiction of her marriage to Fariña in his book Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña,. She also identified supposed exaggerations in his description of the relationships among Dylan, Baez, Hester, and the Fariñas. Hester denies that Fariña was so close to Dylan, as some rock historians claim, and strongly disputes that Fariña was in any way responsible for Dylan’s success, as Hajdu insinuated.[Hajdu also suggested that Hester had an ongoing rivalry with Baez and her sister Mimi. To this day, Hester maintains that to the contrary, she did not and does not know Baez well, and that they never were rivals, personally or professionally. In 1969, Hester married the jazz pianist-producer-songwriter, David Blume, the composer of The Cyrkle’s 1966 Top 40 hit “Turn Down Day.“ Together they formed the “Outpost“ label. They also started an ethnic dance club in Los Angeles.