Breakdown of the first shots I animated on Ruby Gillman - Teenage Kraken. Really fun to take everything I’d been testing and exploring early on with Brill and put it into some production shots. This starts with my blocking pass, where I tend to animate quite heavily on 2’s and 4’s so I can capture all of the movement and expression from the performance. Spline or next pass for me then is very quick, normally a days work and then I’m right into polishing as seen at the end with final lighting.
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Contact with Mike Amos
Supervising Animator at DreamWorks | Writer & Director of the animated short film ’Reload’. Founder of Strange Case studio.
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