MASTER BOOT RECORD - Hardwarez (Full Album)

Buy here: C:\HARDWAREZ\ TICKETS HTTPS:// 12 Oct - CA - Quebec City, QC - Hackfest 18 Oct - FR - Marseille - Le Molotov 19 Oct - FR - Paris - Backstage By The Mill 20 Oct - FR - Nantes - Le Ferrailleur 22 Oct - UK - London - Academy 2 23 Oct - UK - Manchester - Satans Hollow 24 Oct - UK - Glasgow - Cathouse 26 Oct - IR - Dublin - Grand Social 28 Oct - UK - Bristol - Exchange 30 Oct - NL - Eindhoven - Effenaar 31 Oct - NL - Amsterdam - Melkweg 02 Nov - DE - Cologne - Club Volta 03 Nov - NL - Leeuwarden - Neushoorn 04 Nov - DE - Hamburg - Logo 06 Nov - DK - Copenhagen - Stengade 07 Nov - SE - Gothenburg - Valand 08 Nov - NO - Oslo - Goldie 09 Nov - SE - Stockholm - Kollektivet Livet 11 Nov - PL - Wroclaw - Lacznick 12 Nov - DE - Berlin - Gretchen 13 Nov - DE - Dresden - Chemiefabrik 14 Nov - CZ - Prague - Cross Club 15 Nov - CZ - Brno - Kabinet Muz 16 Nov - HU - Budapest - Turbina 17 Nov - AT - Vienna - Szene 18 Nov - CH - Monthey - Pont Rouge 19 Nov - CH - Zurich - Exil Pixel art animation by SPREAD THE CODE To create Hardwarez, the technologist worked by live streaming his desktop on YouTube while composing new music. Everything is programmed via MIDI. “The very first song I wrote is actually also the first single, “CPU,“ he says. “Even though the other songs on the album have a quite different style, the type of riffing and the different melodic section of this track worked as a base to upgrade the sound before moving forward.“ “CPU“ is also where Love decided to test the real guitar overdubs and was inspired by the results. “With every album I’ve upgraded bits of the sounds, adding new layers,“ he says. “In Hardwarez the core sounds for synth guitars, leads and pads are still those that constitute the trademark MBR sound, but what makes this album very different is the addition of guitar overdubs that play along synth guitars for both the rhythmic and solo sections.“ Intensive touring augmented with live musicians helped Love to make the decision to include real guitars to achieve a massive sound and boost the enhanced frequency spectrum of the instrument. “On this record there are a lot of heavy riffs with palm muting and my lead guitarist Shreddy recorded most of those leads and solos as well playing in unison with synth leads and adding extra energy to them.“ The album title merges the term “Hardware“ with “warez,“ also known as The Scene, more commonly known as the scene of cracks and pirated software which has been influential to Love in terms of crack and keygen music. While Love also organically began listening to electronic music, acid techno, industrial and synth pop, he also grew up in the ’90s through all the grunge, nu-metal and industrial scene. Old-school metal as well as ’80s and ’90s movies and video games -- and music from these -- also play a role in Love’s musical DNA. His years of music and computer fanaticism is all manifested in MASTER BOOT RECORD and Hardwarez. “What I’m doing with this album and to an extent with previous ones, is to mix the sounds of cracks, keygen, demoscene and video game-inspired chiptune with heavy metal and classical music using hardware and computers to produce it.“ Additionally, Love explains, “Computers in general, old and new as well as hardware or software since 1986 until now, have been a huge influence on me and MBR. I grew up through all of it because my father had a computer shop in the early days. I’ve been dealing with all those manuals, learning how to make each of these new devices work, be it motherboards, graphic cards, mouses, scanners, CD-burners or webcams, you name it. I’ve seen it all in all possible variations.“ Yet Love doesn’t necessarily think that everything old school is necessarily better. MBR’s music is produced through the most advanced technologies in audio production while the concept at its basis is to limit the framework to a specific set of sounds. The goal and result boosts creativity and define the sound of the project. Live, that duality continues. Cutting-edge tech is used next to a Commodore 64 and Amiga 500 that Love uses onstage to play some parts live. MBR utilize video projections, but also bring CRT monitors, preferring cathode TV’s vibrancy to LCD monitors. “With this album the 486DX-33MHz-64MB becomes sentient through human augmentation“, Love says, concluding, “For we may become better humans with their help, but machines still need us to shine.“