In 1963, the jazz pianist George Shearing, an enormously popular act in his day, made an album that was unusual for him. He asked his new, 20-year-old vibraphone player to write an album of contrapuntal, classical-music-inspired compositions, and recorded them with a woodwind quintet atop a jazz rhythm section. It’s out of print now, but Out of the Woods received good reviews, and it remains an early career highlight for its young architect, Gary Burton.
Gary Burton is 70 now, and that’s just two pages’ worth of his new autobiography Learning to Listen. Here’s a guy who played with Stan Getz and Chick Corea, was an early adopter of jazz fusion, and became the Dean of Berklee College of Music. But when he stopped by the Tiny Desk, he saluted that moment by calling an unrelated tune called “Out of the Woods.“ For his next number, Burton called “Remembering Tano,“ a piece he wrote for another man with whom he’s worked briefly but meaningfully: new-tango pioneer Astor Piazzolla.
Burton has a long history of hir
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