Back at the beginning of the year Japanese producer Gorgonn released Six Paths, a dense, crushing collection of bass experiments and soundsystem artillery that serves as both a treatise on Japanese Buddhism and as the culmination of years of “sci-fi steppas” and collaborations with some of the most ferocious practitioners of heavyweight bass experimentation, including The Bug, JK Flesh, Hype Williams and DJ Scotch Egg.
The six paths of the album’s title refers to the various branches that, according to the Japanese Buddhist faith, the soul is drawn down after death, depending on the karma accrued during one’s lifetime. Between an afterlife spent in the world of the celestials, or among the demigods, an eternity spent in suffering during a karmic cleansing in jigoku, a hellish purgatory presided over by the Japanese lord of death, Emma-ō, or a liminal existence wandering the earth as a hungry ghost, it’s reincarnation as another human, or animal, that Gorgonn takes aim at on the foreboding surge of
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