J.S. Bach: Mass in B minor BWV 232, Crucifixus
René Jacobs, conductor
💿 Listen:
Marie-Claude Chappuis, mezzo-soprano | Helena Rasker, alto
Sebastian Kohlhepp, tenor | Christian Immler, bass-baritone
Akademie für Alte Musik Berlin
Composition aussi brillante que protéiforme – les parties les plus anciennes remontent à 1724, d’autres furent élaborées en 1733 pour l’obtention d’un poste à Dresde –, la Messe en si occupe Bach jusqu’à la fin de sa vie. L’ouvrage, plus œcuménique que catholique au sens strict, offre un condensé de son art porté à sa plus haute expression : un monde à part entière. C’est peu dire que ses interprètes avaient à cœur d’y revenir, après les deux Passions et un Oratorio de Noël couronnés de succès.
A composition as brilliant as it is protean – the earliest sections date back to 1724, others were written in 1
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