Balthus - Polish-French modern artist - 66 paintings [HD]

Balthus, of his real name Balthasar Klossowski de Rola (1908-2001), was a Polish-French modern artist. Throughout his career, Balthus rejected the usual conventions of the art world. He insisted that his paintings should be seen and not read about, and he resisted any attempts made to build a biographical profile. Balthus’s style is primarily classical. His work shows numerous influences, including the writings of Emily Brontë, the writings and photography of Lewis Carroll, and the paintings of Masaccio, Piero della Francesca, Simone Martini, Poussin, Jean-Étienne Liotard, Joseph Reinhardt, Géricault, Ingres, Goya, Jean-Baptiste-Camille Corot, Courbet, Edgar Degas, Félix Vallotton and Paul Cézanne. Although his technique and compositions were inspired by pre-Renaissance painters, there also are eerie intimations of contemporary surrealists like de Chirico. Painting the figure at a time when figurative art was largely ignored, he is widely recognised as an important 20th-century artist. Many of his paintings show young girls in an erotic context. Balthus insisted that his work was not erotic but that it recognized the discomforting facts of children’s sexuality. In 2013, Balthus’s paintings of adolescent girls were described by Roberta Smith in The New York Times as both “alluring and disturbing“. Balthus was born in Paris, in 1908, to Polish expatriate parents. The Klossowski children grew up in an art-world environment, with frequent visits to their household by famous artists and writers, including Rilke, André Gide (who mentored Pierre), and Jean Cocteau (who would depict the family in scenes of his 1929 novel Les Enfants Terribles). The artists Maurice Denis and Pierre Bonnard were also visitors, as was the art dealer Pierre Matisse. In 1926 Balthus visited Florence, where he copied many frescos by the Renaissance master Piero della Francesca. This inspired an early ambitious work of his: the tempera wall paintings of the Protestant church of the Swiss village of Beatenberg which he executed in 1927. From 1930 to 1932 Balthus lived in Morocco. He was drafted into the Moroccan infantry in Kenitra and Fes, worked as a secretary, and sketched his painting La Caserne (1933). In 1933 he moved to Paris, taking a studio in the Rue de Furstemberg. Later he would move to another studio at the nearby Cour de Rohan. Balthus showed no interest in modernist styles such as Cubism. His paintings were realistic but introverted, in the manner of the second generation of Surrealist painters such as Salvador Dalí, who often used realistic techniques to depict psychological motifs or dream images. Balthus often depicted pubescent girls in erotic and voyeuristic poses. One of the most notorious works from his first exhibition in Paris was The Guitar Lesson (1934), which caused controversy. It depicts a young girl arched on her back over the lap of her female teacher, whose hands are positioned on the girl as if to play her like a guitar: one hand near her exposed vulva, and the other hand grasping her hair. Other works from the same exhibition included The Street (1933), Cathy Dressing (1933) and Alice (1933). In 1940, with the invasion of France by German forces, Balthus fled with his wife Antoinette to Savoy to a farm in Champrovent near Aix-les-Bains, where he began work on two major paintings: Landscape near Champrovent (1942–1945) and The Living Room (1942). In 1942, he escaped from Nazi France to Switzerland, first to Bern and in 1945 to Geneva, where he became a friend of the publisher Albert Skira as well as the writer and member of the French Resistance, André Malraux. Balthus returned to France in 1946 and a year later traveled with André Masson to Southern France, meeting figures such as Picasso and Jacques Lacan, who eventually became a collector of his international fame grew with exhibitions in the gallery of Pierre Matisse (1938) and the Museum of Modern Art (1956) in New York City, he cultivated the image of himself as an enigma. In 1964, he moved to Rome where he presided over the Villa de Medici as director (appointed by the French Minister of Culture André Malraux) of the French Academy in Rome. He became a friend of the filmmaker Federico Fellini and the painter Renato Guttuso. In 1977, he moved to Rossinière, Switzerland. That he had a second, Japanese wife Setsuko Ideta whom he married in 1967 and was thirty-five years his junior, simply added to the air of mystery around him. Balthus was one of the few living artists to be represented in the Louvre, when his painting The Children (1937) was acquired from the private collection of Pablo Picasso. He died in Rossinière, Switzerland. Prime ministers and rock stars alike attended his funeral. Bono, lead singer of U2, sang for the hundreds of mourners at the funeral, including the President of France, the Prince Sadruddhin Aga Khan, supermodel Elle Macpherson, and Cartier-Bresson.