La peinture russe des icônes au suprématisme

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Des icônes de Novgorod au suprématisme de Malevitch, en passant par le réalisme de Répine, la peinture russe est une épopée. The use and making of icons entered Ancient Rus’ following its conversion to Orthodox Christianity in AD 988. As a general rule, these icons strictly followed models and formulas hallowed by Byzantine art, led from the capital in Constantinople. As time passed, the Russians widened the vocabulary of types and styles far beyond anything found elsewhere in the Orthodox world. Sources : Peter Leek - La peinture russe - Parkstone Press Ltd Dictionnaire universel de la ...peinture – Le Robert Wikipedia the free encyclopedia Jean Mineraud – Les dessous du visible

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