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The 1980s marked the first decade of Asian American feature filmmaking—a period defined by restless thematic and stylistic exploration as trailblazing directors sought to express their complex cultural identity on-screen. In this decade, filmmakers like Wayne Wang (whose CHAN IS MISSING emerged as an indie landmark), Steven Okazaki, Peter Wang, and Kayo Hatta sought to define “Asian American” anew, whether through comedic contrast with Asians on the other side of the Pacific (THE GREAT WALL, LIVING ON TOKYO TIME), or via tender melodramas of the second generation (DIM SUM: A LITTLE BIT OF HEART, OTEMBA). Supported not only by the burgeoning American independent market of the 1980s, but also by new Asian American film festivals and media centers in New York, Los Angeles, and San Francisco, the films in this program—curated by Brian Hu—imagined for the first time what a community in the shadows might do with the spotlight.
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