Discover the symbolism of Kazimir Malevich’s “Black Square,” and how it pushed the boundaries of what art is and what it can be.
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In 1915, an exhibition of radical artworks opened in Russia. Many pieces pushed the boundaries of form and style, but one was particularly controversial: Kazimir Malevich’s “Black Square.” Criticized as simple and uninspired, Malevich’s work is more complicated than it first appears— and may not be a painting of a black square at all. Allison Leigh digs into the art style known as Suprematism.
Lesson by Allison Leigh, directed by Alexia Roider, Zedem Media.
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Thank you so much to our patrons for your support! Without you this video would not be possible! Igor Stavchanskiy, James R DeVries, Grace Huo, Diana Huang, Chau Hong Diem, Orlellys Torre, Corheu, Thomas Mee, Maryann H McCrory, Blas Borde, John Hellmann, Poompak Meephian, Chuck Wofford, Adam Pagan, Wes Winn, Conder Shou, ntiger, Noname, Hansan Hu, David D, Mac Hyney, Keith Ellison, robin valero walters, Lynne Truesdale, Gatsby Dkdc, Matthew Neal, Denis Chon, Julian Oberhofer, Monte Carroll, Eddy, Jay M, Constantino Victor Delgado, Andrea Galvagni, Andrew Tweddle, Laurel-Ann Rice, Fernando A. Endo, Helen Lee, pam morgan, sarim haq, Gerardo Castro, Michel-Ange Hortegat, Enes Kirimi, Amaury BISIAUX, ND, Samyogita Hardikar, Vanessa Graulich, Vandana Gunwani, Abdulmohsin Almadi, AJ Lyon and Geoffrey Bultitude.
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