Brazilian zouk is a partner dance originating from Brazil. Also known as zouk-lambada, the dance is a descendant of lambada, the music & dance style that swept over the world like a storm in the late 1980’s. Brazilian zouk is characterized by the dancers’ undulating bodies and the girls’ flowing hair. Depending on the style of Brazilian zouk, you can see a close connection embrace and long graceful steps, strong hip movements, body isolations and upper-body torsions, wild spins and whip-like head movements. While the dance is often called sensual, it is not sexual or erotic. It is danced by people of all ages in night clubs, dance schools and events around the world!
Like many dance styles, Brazilian zouk is ever evolving. There are a few different lines or styles of Brazilian zouk, the main three derivations at the moment (April 2015) being ‘lambazouk’, ‘traditional zouk’ and ‘modern zouk’.
Lambazouk (or zouk-lambada or Porto Seguro style) has the closest connection to lambada. Lambazouk dancers use 1-2-3 (or quick-quick-slow) rhythm and dance to a more upbeat music. The dance incorporates the accents of the music with hip movements, deep dips, whip-like head movements and fast turns. Exchanging partners mid-song, leading with only visual contact and strong positive energy are typical for lambazouk.
Traditional zouk (or Rio style zouk) is a more sensual, romantic and dramatic style of Brazilian zouk. The dancers use the slow-quick-quick rhythm, marking ‘tum’ beat in the zouk music. It is common to not use only the rhythm but also the pauses, melody and lyrics in the dance as well as utilize different dynamics in the timing. Moves such as body rolls and extensions are typical as well as movements influenced by jazz, ballet and contemporary dance.
Modern zouk (or Neo zouk) is a highly diverse group that sums up the latest variants of Brazilian zouk. This includes styles influenced by hiphop, street dance, belly dancing, contemporary dance, modern dance and salsa, among others. The timing is based on slow-quick-quick rhythm or contratempo. There can be long breaks in the footwork, with dancers staying on the spot, using only body movements, torsions and counterbalance to paint a picture of the music.