This set (“Next-to-last Thoughts“) was originally called “Étranges rumeurs“ and contains sincere, almost minimalistic pieces dedicated to the three composer friends who had helped Satie the most: Debussy artistically; Paul Dukas financially; and Albert Roussel contrapuntally.
The guitar- (or mandoline-) playing old poet in no 2 (Morning Serenade) is Satie himself, and the Beauty is probably Valentine Gross, whom he had met at the private premiere of “Le Piège de Méduse“ in 1914, and who became a close and
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