A wild Taoist hermit poet who lived at the borders of recorded history, Cold Mountain left his poems inscribed on rocks in the silent valleys of Southern China. Here Richard uses Cold Mountain as a springboard into the famed Rivers and Mountains poetic lineage of Ancient China. Framed by the haunting flute of Shakuhachi Master Adrian Freedman, this contemplation probes the depths of those mountain silences, out of which the earliest eddies of ecstasy formed. Deeply embedded with pregnant silences, this is a
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