From the idea to the screen, sometimes it becomes necessary to define a concept art for a film. That is the case with “Metropolis“, Fritz Lang’s masterpiece, which dives into a futuristic city with a visual display rarely surpassed in cinema’s history. We explore some of its concept art by comparing drawings and designs made by Erich Kettelhut and Otto Hunte with the actual final print of the film.
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De l’idée à l’écran, il faut parfois passer par la case concept art. C’est particulièrement le cas avec l’univers monumental du “Metropolis“ (1927) de Fritz Lang. On explore ça en vidéo
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