The lead single “Infinite Sadness“ from Xeno & Oaklander’s seventh album, Vi/deo, further distills their iconic noir synth pop into a streamlined suite of gleaming, graceful retro-futurism. Out on CD/LP/Digital on October 22nd, order here:
“I was feeling nostalgic, I was feeling sentimental” - Xeno & Oaklander make an art film with video synthesizers and analog photographs shot by Liz Wendelbo over the years, in the tradition of New York avant-garde artists such as Jonas Mekas and Maya Deren.
East Coast minimal wave institution Xeno & Oaklander’s seventh full-length further distills their iconic noir synth pop into a streamlined suite of gleaming, graceful retrofuturism. Inspired by ideas of synesthesia, scent, star worship, and obsolescent technologies, the duo of Liz Wendelbo and Sean McBride began conceiving the blueprint of Vi/deo while sequestered at their Southern Connecticut home studio during the pandemic. The context of isolation,
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