Мультяшная комедия Культура The Quack Infantry Troop (also titled Duck Brigade) - 1940

🎯 Загружено автоматически через бота: 🚫 Оригинал видео: 📺 Данное видео принадлежит каналу «Мультяшная комедия Культура» (@CartoonComedyCulture). Оно представлено в нашем сообществе исключительно в информационных, научных, образовательных или культурных целях. Наше сообщество не утверждает никаких прав на данное видео. Пожалуйста, поддержите автора, посетив его оригинальный канал. ✉️ Если у вас есть претензии к авторским правам на данное видео, пожалуйста, свяжитесь с нами по почте support@, и мы немедленно удалим его. 📃 Оригинальное описание: “The Quack Infantry Troop“ (also titled “Duck Brigade“) is a remarkable 1940 Japanese animated cartoon directed by Mitsuyo Seo and composed by Tadashi Hattori. The story revolves around an escalating conflict between ducklings and frogs, which eventually erupts into a full-scale war. However, a lightning strike serves as a powerful metaphor, making the fighters realize the trivial nature of their battle. This cartoon could be notable for its surprising anti-war message, which stands in contrast to the period in which it was created. Released in 1940, it was produced under Japanese government financing, despite Japan’s involvement in a decade-long war in China by that time. The film challenges the perception of being a propaganda piece by conveying a message that questions the futility of war. Given the strict control over media during this period, it’s intriguing that this message was allowed to be shared. The animation in “The Quack Infantry Troop“ is particularly impressive compared to other Japanese cartoons of the era. It showcases a 3D-like quality and features stunning background art. The storyline begins with a minor dispute between the ducks and frogs, but it quickly escalates into a full-scale war, complete with battleships and cannons. However, as the conflict unfolds, both sides come to realize the senselessness of their battle. The interpretation of this cartoon can be multifaceted. Some view it as an allegory for the Sino-Japanese wars, with the frogs representing the Japanese (an island nation with advanced industrialization and a powerful navy) and the ducks symbolizing the Chinese (a continental power with an emphasis on land tactics). The director’s open socialist views add another layer of complexity to the interpretation, suggesting that the film might be a call for unity and socialism, especially when faced with a more significant global threat—the capitalist “axis“ of colonialism. It’s fascinating to see how “The Quack Infantry Troop“ smuggled an anti-war message into a film approved by the Japanese Ministry of Education, which was associated with a heavily militarized state. This unique historical artifact challenges stereotypes and highlights the diversity of sentiments within Japanese culture during this critical time period. For those interested in a thought-provoking and well-made piece of animation that offers a different perspective on a turbulent era, “The Quack Infantry Troop“ is well worth watching.