Robben Ford Does This To Create TENSION | Spicy Licks #14

🎸 Break through the lost intermediate plateau in 2023 - Bulletproof Guitar Player 2.0 coming soon ➡️ 🔴 Get exclusive access to the backing track & TAB files for everything played in this video here - 🎸 The guitar is a Fender American Professional II Telecaster, here’s an EU affiliate link if you wanna treat yourself and support my channel at no additional cost - 🎸I’m plugged into my Line 6 HX Stomp XL for this video - 🔴 MY ONLINE COURSES ⬇️ ✅ Bulletproof Guitar Player Part 1: Master the Fretboard - ✅ Bulletproof Guitar Player Part 2: Advanced Concepts - ✅ Spicy Licks Package 1 (10 Licks Inspired by Joe Bonamassa & Eric Johnson): ------------------------------------------------------------ TIMESTAMPS: 0:00 - Intro solo 0:48 - Welcome! 2:07 - The lick 2:43 - How are we gonna break this down? 3:27 - The diminished scale(s) explained 5:17 - What notes are ‘outside’ here? 11:42 - Where the b2 is found in the lick 14:31 - Timing. This is CRUCIAL 15:27 - Bonus content for Robben Ford is one of my favourite blues guitar players and a trick that I learned from him years ago was his use of the half/whole diminished scale over blues progressions. Robben likes to use this scale to create tension over the I chord right before the chords change to the IV chord in a 12-bar blues. This scale is great for creating tension because it contains notes that are found outside of unaltered dominant 7th or major chords, which are the chord types most commonly played in 12 bar blues progressions. In this episode of Spicy Licks, I’m taking you through a Robben Ford inspired diminished blues lick that uses the half/whole diminished scale to create tension over the I chord. This tension is released as soon as the chords move to the IV chord and you land on the root of said chord. I always like to explain the theory behind the licks in this series, and so I’ll take you through a few key points that you’ll need to understand in order to execute this lick correctly as well as understand how it works. So, you’re going to learn about the construction of the half/whole diminished scale, what notes from this scale can truly be considered ‘outside’ in the context of a 12 bar blues, and we’ll also touch on timing - it’s absolutely crucial that you understand the timing of this lick because without that, you’ll have a hard time landing on the right notes at the right time. The bonus content for this lesson - available exclusively to members of - includes: Video of the intro solo with TAB (downloadable Guitar Pro & PDF files) Blues Shuffle in A Backing Track (video & downloadable WAV file) Three bonus lick lessons that use the half/whole diminished scale in blues progressions (downloadable Guitar Pro & PDF TAB files) Click here to get signed up and access the bonus content - ------------------------------------------------------------ 🎸 MY GEAR (Thomann affiliate links) 🎸 🟢 GUITARS 🎸... Fender Player Series Telecaster - D’Angelico Excel Mini DC - D’Angelico Premier DC - 🟢 STUDIO EQUIPMENT 🎙️... STUDIO MONITORS - MIDI KEYBOARD - AUDIO INTERFACE - MICROPHONE - 🟢 PEDALS 🎛️… CHORUS/VIBRATO - REVERB - DELAY - POWER SUPPLY - PATCH CABLES - JACK LEADS - ------------------------------------------------------------ Follow Ross Campbell on Instagram ➡️ Facebook page ➡️