William Clarke - Drinking by Myself

Album: Blowin’ Like Hell | “Clarke elevates harmonica blues to yet another level of contemporary sophistication.“ --Village Voice “Clarke plays dangerous, break-neck harp licks with a keen sense of inventive.“ --Living Blues Between his huge frame and the immense sounds he coaxed out of his harmonica, West Coast blues harmonica virtuoso William Clarke was a giant of the blues. A full-time blues musician since quitting his job as a machinist in 1987, Clarke regularly toured the U.S. and Europe before his untimely death in 1996. His mix of Chicago blues traditions with West Coast swing placed him at the forefront of contemporary blues harmonica players. Clarke’s harmonica playing, particularly his chromatic work, was simply astonishing. According to the Chicago Sun Times, Clarke was “the most dynamic harp player on the circuit.“ The Washington Post declared, “Few can match the imposing harp and vocal power of William Clarke.“ Clarke was born March 29, 1951 into a blue-collar family in Inglewood, California. While most of his friends were surfing and listening to Beach Boys records, Clarke fell in love with the blues through the early Rolling Stones albums. By age 17 he began following his dream of becoming a bluesman. He befriended blues legends like T-Bone Walker, Eddie “Cleanhead“ Vinson, Big Joe Turner, Pee Wee Crayton, Lowell Fulson, Big Mama Thornton, Shakey Jake Harris, and the man who was to become his mentor, ex-Muddy Waters harmonica legend George “Harmonica“ Smith. The two performed and recorded together from 1977 until Smith’s death in 1983. Between 1978 and 1988, Clarke recorded and released five self-produced albums all cut on shoestring budgets. He guested on nearly a dozen albums, as a sideman for Smokey Wilson, Shakey Jake, Long Gone Miles and other West Coast blues heavies. While fame eluded him, he built an impressive word-of-mouth reputation, receiving six Blues Music Award nominations (the Grammy of the blues community) despite the fact he hadn’t yet had a nationally distributed record. After Clarke produced his sixth album, he decided to send a tape along to Bruce Iglauer, president of Alligator Records. The explosive, soul-drenched performances caught Iglauer off guard, who said, “I couldn’t believe how such a wonderful harp player and such a terrific writer, singer and arranger could have been a secret for so long. I knew we had to sign him.“ Clarke’s Alligator debut, Blowin’ Like Hell, was released in 1990. Clarke’s 1992 release, Serious Intentions, earned him the Australian Blues Award for Overseas Blues Album Of The Year. The album was filled with pulsating grooves, swinging shuffles and tasty harmonica playing. The Chicago Reader said, “Shimmering, wild chorded harp playing. He bends notes with the raucous abandon of a Chicago of the most honest, unpretentious blues being laid today.“ In the last year of his life, Clarke delivered his most ambitious album, The Hard Way, and hit the road with a vengeance. He won the three top Blues Music Awards: Album of the Year, Song of the Year (for Fishing Blues) and Instrumentalist of the Year--Harmonica. Sadly, he didn’t live to accept his awards. His death, at 45, robbed the world of a true blues giant. Alligator Records released Deluxe Edition in 1999, featuring songs from Clarke’s Alligator recordings -- a fitting tribute to a true giant of the blues. - Alligator Records All songs by William Clarke, Eyeball Music, BMI, except as noted. Produced by William Clarke Recorded at Pacifica Studios, Culver City, CA Engineered by Glenn Nishida Mixed by William Clarke, assisted by Glenn Nishida Cover photo by Greg Allen Cover design by Matt Minde William Clarke, Harmonica and Vocals 🎧 Don’s Tunes is about the music. It’s about the sound. It’s about the real thing. My mission for over 10 years is to collaborate with & promote lesser known, but extremely talented blues & jazz artists and bring you a selection of tunes with an audiophile sound and real emotion. On my website you can read more about the artists featured on the channel: ​ If you’re an artist or label and want to me featured on the channel, Spotify and my website visit: ​ & write me on don@ The song is used with a promotional purpose. All visual & audio copyrights belong to their respective owners. Re-uploading this video on other channels is prohibited. Find more quality Blues on YouTube here: 👉 ▶️ Don’s Tunes on Spotify ▶️ Don’s Tunes on Facebook: ▶️ #blues #bluesmusic #slowblues & Jazz Group: ▶️ Don’s Tunes on Instagram: ▶️ Don’s Tunes on Twitter: