Soprano Emőke Baráth explores the potential of the female voice to characterize both heroines and heroes in Dualità, recorded with Philippe Jaroussky as conductor of his Ensemble Artaserse. Discover here:
The program features arias from 9 Handel operas: female roles of Alcina, Giulio Cesare, Partenope, Amadigi di Gaula, and Lotario, and male roles of Arianna in Creta, Radamisto, Faramondo, and Deidamia. As Emőke writes, “For a 21st-century audience, seeing a woman in a travesty role is no longer sensational. For the performer, however, it remains a very engaging and amusing challenge, offeri
...ng a means to express the duality of the female soul. Thanks to this duality – in which sensitivity unites with power – everyday heroines succeeded in a world where the odds were stacked against them, and on the theatrical stage.“
Video: Deyan Parouchev
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Warner Classics
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