Say It Again - MONEY SUCKS THE CONGRESS DOWN - a Parody | Don Caron

Executive Producers Don Caron and Jerry Pender SUPPORT Visit CONTRIBUTE to the PROJECT BTC:              33W8cvkCKupG77ChtTFXeAFmEBCaLcjsBJ ETH:    0x1f36edE7A4F06830D0e3d675776607790a2ce636  SHOP Parody Project Store: PATRONAGE To become a Patron of Parody Project please visit our Patreon Page MAILING LIST (Never Shared) LYRICS to MONEY SUCKS THE CONGRESS DOWN Money sucks the Congress down They see it and their brains confound They can be bought year-around They’re not by duty bound They used to sneak their way around Snatch up their bribes without a sound But since corruption’s been unbound There’s no shame to be found. On that we will expound Money money money money Money money money money Money money money money Money money money money If you happen to be rich from your stocks Or the bribes in your stocking As a tenant of the senate where you sit You can easily ignore everything But the profit opportunity Blinded by the money you can get It’s another bait and switch Got you there with the help of the donors And they moan and they groan quite a lot But they handed you the win. Take the call gotta, stall for your owners On your 14-karat yacht! What? Congress has been bought and sold Sniffing about to find more gold. It’s a corporate stranglehold And watching it unfold Is awful to behold. Money money money money Money money money money Money money money money If the country needs a bomb or a war Or a fleet of whatever, Money’s there right away, no delay. If it happens that a big corporation Says they need a bigger bailout They will get it on the very same day. Not a crumb back to you For the taxes that you pay ’Cause you need to be protected Socialism kept at bay Education, living wage Healthy care for old age Can’t be done cost too high So we’ll leave you there to die Money money money money Money money money money Money money money money [Dance Break] Money money money money Money money money money Money money money money Money money money money Money money money money Money money money money Money money money money When you haven’t any coal in the stove And you freeze in the winter And you curse to the wind at your fate When you haven’t any shoes on your feet And your coat’s thin as paper And you look 30 pounds underweight Don’t expect to get the help that you need From the Congress or the Senate Start pulling up the straps on your boots Never mind the raw hypocrisy that lies At the bottom of their tenet That they’’re living by the labor of your fruits Money sucks the Congress down They see it and their brains confound They can be bought year-around They’re not by duty bound Money, money, money, money Money, money, money, money Give a little get a little Money, money, money, money Now that corruptions been unbound There is no shame at all to be found. Money sucks the Congress down It sucks the Congress down. ABOUT THE SOURCE MUSIC Money Makes the World Go ’Round (The Money Song) from Cabaret (Kander and Ebb) In early 1963, producer David Black commissioned English composer and lyricist Sandy Wilson to undertake a musical adaptation of Van Druten’s 1951 play I Am a Camera. At that time, Black envisioned the musical as a star vehicle for singer Julie Andrews, but Andrews’ manager refused to allow her to accept the role of Sally Bowles due to the character’s immorality. By the time Wilson completed his work, however, Black’s option on both the 1951 Van Druten play and its source material by Isherwood had lapsed and been acquired by rival producer Harold Prince. Prince hired playwright Joe Masteroff to work on the adaptation. Prince and Masteroff believed that Wilson’s score failed to capture the carefree hedonism of the Jazz Age in late 1920s Berlin. Consequently, the songwriting team John Kander and Fred Ebb were invited to join the project. Their new version was initially a dramatic play preceded by a prologue of songs describing the Berlin atmosphere from various points of view. As the composers distributed the songs between scenes, they realized the story could be told in the structure of a more traditional book musical, and they replaced several songs with tunes more relevant to the plot. By Fall 1966, the musical was complete and entered rehearsals. After viewing one of the last rehearsals before the company headed to Boston for the pre-Broadway run, Prince’s friend Jerome Robbins suggested cutting the songs outside the cabaret, but Prince ignored his advice. In Boston, lead actress Jill Haworth struggled with her characterization of Sally Bowles. Critics thought Sally’s blonde hair and white dress suggested a debutante at a senior prom instead of a cabaret singer, so Sally was changed to brunette before the show opened on Broadway.